Abstract:
Neil Gaiman’s Vertigo Series The Sandman is an exceptional artistic endeavor. From
“Preludes and Nocturnes”(1988) to “The Wake” (1996), Gaiman worked alongside a
team of talented artists and graphic designers to produce an indelible work of revisionist
mythology. This thesis will attempt to establish the framework by which our modern
literary canon has celebrated classical Western myths while relegating graphic or visual
forms of literature or outright neglecting comic myths altogether. Scott McCloud’s
Understanding Comics will frame the discourse for pictographic analysis of Neil
Gaiman’s mythological revisionism of Milton’s Paradise Lost in Season of Mists , Italo
Calvino’s Invisible Cities and The Travels of Marco Polo in “Soft Places.” The Sandman
is a playful modern myth that revives classical mythology within the comics medium,
calling for a new kind of literary discourse that seeks to reverse decades of literary bias
resulting from the 1950s Comics Code that has relegated the medium as juvenile. I will
argue that given the comics flexibility, it is the only medium in which a transtextual myth
of this nature can be fully realized.
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